第二乐章 入世尚浅的演奏家对生死分离之五内俱焚痛感只停留在字面. 少了陈述希腊悲剧史诗所相配备的沉重. 本博格里过去多次介绍Backhaus, 他的第二乐章堪称典范. 贝多芬的入室弟子Czerny曾经这样描述: "one cannot help thinking of an antique tragic scene, and the player must feel with what intense, pathetic expression his solo is performed, in order to contrast with the powerful and austere orchestral passages, which are, as it were, gradually withdrawn."
第二乐章 入世尚浅的演奏家对生死分离之五内俱焚痛感只停留在字面. 少了陈述希腊悲剧史诗所相配备的沉重. 本博格里过去多次介绍Backhaus, 他的第二乐章堪称典范. 贝多芬的入室弟子Czerny曾经这样描述: "one cannot help thinking of an antique tragic scene, and the player must feel with what intense, pathetic expression his solo is performed, in order to contrast with the powerful and austere orchestral passages, which are, as it were, gradually withdrawn."
