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马兹卡舞曲
林贝卡 (2009-03-25 10:23:27) 评论 (4)
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马兹卡舞曲
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Mazurka
From Wikipedia, the free encyclopedia
A mazurka is a stylized Polish folk dance in triple meter with a lively tempo that has a heavy accent on the third or second beat. Its folk origins are the slow kujawiak and the fast oberek. It is always found to have either a triplet, trill, dotted eighth note pair, or an ordinary eighth note pair before two quarter notes. The dance became popular at ballroom dances in the rest of Europe during the nineteenth century. The Polish national anthem has a mazurka rhythm but is too slow to be considered a mazurka.
Several classical composers have written mazurkas, with the best known being the 58 composed by Frédéric Chopin for solo piano. Henryk Wieniawski wrote two for violin with piano (the popular "Obertas", op. 19), and in the 1920s, Karol Szymanowski wrote a set of twenty for piano and finished his composing career with a final pair in 1934.
From Wikipedia, the free encyclopedia
A mazurka is a stylized Polish folk dance in triple meter with a lively tempo that has a heavy accent on the third or second beat. Its folk origins are the slow kujawiak and the fast oberek. It is always found to have either a triplet, trill, dotted eighth note pair, or an ordinary eighth note pair before two quarter notes. The dance became popular at ballroom dances in the rest of Europe during the nineteenth century. The Polish national anthem has a mazurka rhythm but is too slow to be considered a mazurka.
Several classical composers have written mazurkas, with the best known being the 58 composed by Frédéric Chopin for solo piano. Henryk Wieniawski wrote two for violin with piano (the popular "Obertas", op. 19), and in the 1920s, Karol Szymanowski wrote a set of twenty for piano and finished his composing career with a final pair in 1934.
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Tom Barabas
From Wikipedia, the free encyclopedia
American-Hungarian pianist. Before developing a taste for rock and jazz, Barabas studied classical music at the Caracas Conservatory in Venezuela. His skills as a pianist are admirable; Barabas’s use of synthesizers is not quite so sophisticated but shows some promise. His recordings include 1988’s Magic in December, 1992’s Sedona Suite, 1995’s Mosaic and 1999’s Live.
From Wikipedia, the free encyclopedia
American-Hungarian pianist. Before developing a taste for rock and jazz, Barabas studied classical music at the Caracas Conservatory in Venezuela. His skills as a pianist are admirable; Barabas’s use of synthesizers is not quite so sophisticated but shows some promise. His recordings include 1988’s Magic in December, 1992’s Sedona Suite, 1995’s Mosaic and 1999’s Live.
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