Bruch Violin Concerto No. 1 in G minor, Op. 26 Joshua Bell plays the second movement: /> |
Bruch Violin Concerto No. 1
Mosical (2009-06-19 21:37:37) 评论 (3)
Bruch Violin Concerto No. 1 in G minor, Op. 26 Joshua Bell plays the second movement: /> |
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Bruch Violin Concerto No. 1
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Kyung-wha Chung (born 26 March 1948 Seoul, South Korea) is a Korean violinist
A pioneer in the Asian classical music circuit, Kyung-wha Chung's musical career began at the age of three. Her fame peaked in the seventies and eighties along with other famous violinists such as Pinchas Zukerman and Itzhak Perlman. In her prime, she was well known for her interpretations of Romantic and Modern music. She is still quite actively performing, and expanding her repertoire to Baroque and Mozart in recent years.
A pioneer in the Asian classical music circuit, Kyung-wha Chung's musical career began at the age of three. Her fame peaked in the seventies and eighties along with other famous violinists such as Pinchas Zukerman and Itzhak Perlman. In her prime, she was well known for her interpretations of Romantic and Modern music. She is still quite actively performing, and expanding her repertoire to Baroque and Mozart in recent years.
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马克斯·克里斯蒂安·腓特烈·布鲁赫（Max Christian Friedrich Bruch，1838年1月6日－1920年10月2日) ，德国浪漫樂派作曲家、指挥家、音乐教育家。代表作是《第一号g小调小提琴协奏曲》。
布鲁赫出生於科隆，在那里他师从作曲家钢琴家Ferdinand Hiller接受早期的音乐教育，然后在曼海姆、科布伦茨、柏林等地从事音乐教学和指挥，1880年－1883年担任the Royal Liverpool Philharmonic Society指挥，从1890年到1910年退休之间，他在柏林音乐学院（Berlin Hochschule für Musik）教授音乐，培养出一批有名望的学生。
布鲁赫出生於科隆，在那里他师从作曲家钢琴家Ferdinand Hiller接受早期的音乐教育，然后在曼海姆、科布伦茨、柏林等地从事音乐教学和指挥，1880年－1883年担任the Royal Liverpool Philharmonic Society指挥，从1890年到1910年退休之间，他在柏林音乐学院（Berlin Hochschule für Musik）教授音乐，培养出一批有名望的学生。
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Violin Concerto No. 1 (Bruch)
From Wikipedia, the free encyclopedia
Max Bruch's Violin Concerto No. 1 in G minor, Op. 26, is one of the most popular violin concertos in the repertoire. It continues to be performed and recorded by many violinists and is arguably Bruch's most famous composition.[1]
Instrumentation
The work is scored for solo violin and a standard classical orchestra consisting of two flutes, two oboes, two clarinets, two bassoons, four horns, two trumpets, timpani, and strings.[3]
Movements
The concerto is in three movements:
Vorspiel: Allegro moderato
Adagio
Finale: Allegro energico
The first movement is unusual in that it is a Vorspiel, a prelude, to the second movement and is directly linked to it. The impression it gives towards listeners is almost like a smooth army march, yet an anticipatory feeling prevails throughout. The piece starts off slowly, with the melody first taken by the flutes, and then the ravishing solo violin becomes audible with a short cadenza. This repeats again, serving as an introduction to the main portion of the movement, which contains a strong first theme and a very melodic, and generally slower, second theme. The movement ends as it began, with the two short cadenzas more virtuosic than before, and the orchestra's final tutti flows into the second movement, connected by a single low note from the bassoon.
The slow second movement is often adored for its powerful melody, and is generally considered to be the heart of the concerto. The rich, expansive themes, presented by the violin, are underscored by a constantly moving orchestra part, keeping the movement alive and helping it flow from one part to the next.
The third movement, the finale, opens with an extremely intense, yet quiet, orchestral introduction that yields to the soloist's statement of the exuberant theme in brilliant double stops. It is very much like a dance that moves at a comfortably fast and energetic tempo. The second subject is a fine example of Romantic lyricism, a slower melody which cuts into the movement several times, before the dance theme returns with its fireworks. The piece ends with a huge accelerando, leading to a fiery finish that gets higher as it gets faster and louder and eventually concludes with two short, yet grand chords.
Bruch also composed two more violin concertos, but neither are as well known as his first.
http://en.wikipedia.org/wiki/Violin_Concerto_No._1_(Bruch)
From Wikipedia, the free encyclopedia
Max Bruch's Violin Concerto No. 1 in G minor, Op. 26, is one of the most popular violin concertos in the repertoire. It continues to be performed and recorded by many violinists and is arguably Bruch's most famous composition.[1]
Instrumentation
The work is scored for solo violin and a standard classical orchestra consisting of two flutes, two oboes, two clarinets, two bassoons, four horns, two trumpets, timpani, and strings.[3]
Movements
The concerto is in three movements:
Vorspiel: Allegro moderato
Adagio
Finale: Allegro energico
The first movement is unusual in that it is a Vorspiel, a prelude, to the second movement and is directly linked to it. The impression it gives towards listeners is almost like a smooth army march, yet an anticipatory feeling prevails throughout. The piece starts off slowly, with the melody first taken by the flutes, and then the ravishing solo violin becomes audible with a short cadenza. This repeats again, serving as an introduction to the main portion of the movement, which contains a strong first theme and a very melodic, and generally slower, second theme. The movement ends as it began, with the two short cadenzas more virtuosic than before, and the orchestra's final tutti flows into the second movement, connected by a single low note from the bassoon.
The slow second movement is often adored for its powerful melody, and is generally considered to be the heart of the concerto. The rich, expansive themes, presented by the violin, are underscored by a constantly moving orchestra part, keeping the movement alive and helping it flow from one part to the next.
The third movement, the finale, opens with an extremely intense, yet quiet, orchestral introduction that yields to the soloist's statement of the exuberant theme in brilliant double stops. It is very much like a dance that moves at a comfortably fast and energetic tempo. The second subject is a fine example of Romantic lyricism, a slower melody which cuts into the movement several times, before the dance theme returns with its fireworks. The piece ends with a huge accelerando, leading to a fiery finish that gets higher as it gets faster and louder and eventually concludes with two short, yet grand chords.
Bruch also composed two more violin concertos, but neither are as well known as his first.
http://en.wikipedia.org/wiki/Violin_Concerto_No._1_(Bruch)
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