[组图]上海顶层画廊:人体艺术解析《金陵十二钗》(1)
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金陵十二钗之黛玉判词--可叹停机德,堪怜咏絮才!玉带林中挂,金簪雪里埋。
引导上海时尚前卫的顶层画廊,近日举行国内知名艺术家孟文曦之《<�红楼>图像》展,脱却大观园内的凤冠霞帔,一副副不再是古典文学所描述的忧郁或是泼辣形象,在如此信息时代的快餐文化环境里,用独特的方式解析那些人们熟知但又有些陌生的概念人物:金陵十二钗。
孟文曦 《<�红楼>图像》作品 文案:
无意讨好时尚的前卫艺术,也不愿依循学院的传统之路。它涉及的人物是我们略有古典文学常识的人脑中的概念人物,人们与他们都是相熟的,但似乎又是陌生的,她们并不是人们所想象的那样带着必然的忧郁或是泼辣。整个画面的关系似乎是暧昧的,从人物到场景。对于经典的传统,我们用一种十分明确的的态度来表现他们似乎显得太尖锐与武断了。我们所知的《红楼》,其实跟红楼本身已不相同,《红楼》在我们眼里,在信息世代的快餐文化环境里,其存在方式似乎也只能是一个孤立的空虚概念了。在这一时代背景下,任何对经典作品所下的明确定义与判断都将是对其本身的伤害与侵犯。
金陵十二钗之史湘云判词 富贵又何为?襁褓之间父母违;展眼吊斜晖,湘江水逝楚云飞。
金陵十二钗之秦可卿判词--情天情海幻情身,情既相逢必主淫;漫言不肖皆荣出,造衅开端实在宁。
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